Lebenslauf

Lehre

Forschungsschwerpunkte

Phenomenology

Empirical Aesthetics

Eye-tracking and Visual Perception

Feminist Art Theory

Medieval and Renaissance Art

Publikationen

Artikel in Zeitschriften und Sammelbänden

Miscenà, A., Frentzen, V., Arato, J., Dare, Z., Leder, H., & Rosenberg, R. (2024). No such thing as the female eye: ditching gender-binary categories in art perception. Feminist Media Studies, 1–25. https://doi.org/10.1080/14680777.2024.2361043  (pdf)

Fontoura, P., Miscenà, A., Menu, M., & Schaeffer, J. (2023). Painting Restoration and the Eye of the Beholder: A Mobile Eye-Tracking Study at the Unterlinden Museum. Art & Perception, 11(3-4), 270-294. https://doi.org/10.1163/22134913-bja10048 (pdf)

Miscenà, A., Arato, J., & Rosenberg, R. (2020). Absorbing the gaze, scattering looks: Klimt’s distinctive style and its two-fold effect on the eye of the beholder. Journal of Eye Movement Research, 13(2). https://doi.org/10.16910/jemr.13.2.8  (pdf)

Reitstätter, L., Brinkmann, H., Santini, T., Specker, E., Dare, Z., Bakondi, F., Miscená, A., Kasneci, E., Leder, H., & Rosenberg, R. (2020). The display makes a difference: A mobile eye tracking study on the perception of art before and after a museum’s rearrangement. Journal of Eye Movement Research, 13(2). https://doi.org/10.16910/jemr.13.2.6

Talks and Workshops

Near-depth experiences: painting perception and embodied cognition in the museum space.
BCI Conference, TU Graz, 2024

Picture-surface, picture-subject: an empirical assessment of Wollheim’s theory of Twofoldness.
Vision and Depiction, TU Delft, 2024

Two Ways of Seeing: Investigating the perception of a painting’s surface vs of its subject.
Visual Science of Art, University of Amsterdam, 2022

Filling the Gap: Using Eye-Tracking for a Cognitive Art History.
Mind the Gap: Aesthetics between Neuroscience and the Humanities, University
of Stuttgart, 2022

Choosing appropriate units of measure: Art as a tool in the Eye-tracking Lab.
CoBeNe PhD Academy, University of Vienna, 2022