Publications

Books

2019, T. Dimova, Le langage des mains dans l’art. Histoire, significations et usages des chirogrammes picturaux en France aux XVIIe et XVIIIe siècles, Brepols Publishers (collection Art Theory 1400-1800), Turnhout, ISBN: 978-2-503-58483-6

2016, T. Dimova, M. Guédron, M. Mistre-Schaal, L’emprise des sens, Paris, Hazan (collection Repères iconographiques), ISBN: 978-2-7541-0820-1

Articles

2023, “D'une main à l'autre: transcription et analyse des accords chirographiques dans l'iconographie de Jésus parmi les Docteurs de la Loi”, in [Im]postures. Langages du corps à l'époque moderne, éditions 1:1 (ars), Paris.

2023, “Chiroscript: Transcription System for Studying Hand Gestures in Early Modern Painting”, Arts 12: 179. https://doi.org/10.3390/arts12040179

2020, “Пътуващият поглед. Приложение на окулографията в изкуствознанието и мултикултурно възприятие”, Proceedings of the Art Readings 2020, Bulgarian Academy of Sciences, Sofia.

2015, “Une anamorphose révélée par le langage des doigts chez Simon Vouet”, Interstudia (Review of Interdisciplinary Centre for Studies of Contemporary Discursive Forms), Alama mater, Bacau, p. 215-224, ISSN: 20653204

2015, “Quand les mains se souviennent. Usages mnémoniques de la main du XVe au XVIIe siècle”, Doctorales Revue LLA-SHS de Montpellier, n° 3, online journal.

2015, “Жестът на скръстените пръсти според хирологията във френската живопис през XVII и XVIII век”, Proceedings of the Art Readings 2014, Bulgarian Academy of Sciences, p. 377-387, ISSN: 1313-2342

2014, “Dextrarum junctio ou le sceau des âmes unies : usage d’un geste dans la France des XVIIe et XVIIIe siècles”, Source(s). Cahiers de l’équipe de recherche ARCHE, n° 5, p. 75-92, ISSN: 2265-1306