Publikationen (Auswahl)

Books and Catalogues

(2016) Discovering Tibet–The Tucci Expeditions and Tibetan Painting (ed.). Milan: Skira.

(2015) Alla scoperta del Tibet, Le Spedizioni di Giuseppe Tucci e I Dipinti Tibetani ( a. c.di)  Skira, Milan

(2006) Tabo Monastery. Art and History. With an Interview of Geshe Sonam Wangdu by Peter Stefan and a Tibetan Summary, Vienna-Delhi.  

(1997)    Tabo. A Lamp for the Kingdom, Skira, Milan.

(1998)    Tabo. A Lamp for the Kingdom; and Thames and Hudson, New York.

(1995) Buddha in Indien. Die frühindische Skulptur von König Aśoka bis zur Guptazeit (exhibition catalogue), Skira, Milan-Vienna.

(1989) The Kingdom of Bāmiyān: The Buddhist Art and Culture of the Hindu Kush. Istituto Universitario Orientale & IsMEO, Naples-Rome.

(1982) The Silk Route and the Diamond Path: Esoteric Buddhist Art on the Trans-Himalayan Trade Routes, with contributions by M. Klimburg, D. Snellgrove, F. Staal, M. Strickmann, and C. Trungpa, UCLA Arts Council, Los Angeles.

Jointly edited Books and Catalogues

(2016) E. Forte, D. Klimburg-Salter, L. Junyan, Z. Yuan, H. Tauscher (eds): Tibet in Dialogue with its Neighbours. History, Culture and Art of Central and Western Tibet, 8th to 15th century, Beijing.
 
(2014) D. Klimburg-Salter, L. Lojda (eds): Changing Forms and Cultural Identity: Religious and Secular Iconographies Vol. 1, Turnhout.
 
(2014) M.Meyer and D. Klimburg-Salter (eds.): Visualisierungen von Kult. Böhlau Verlag.
 
(2013) D. Klimburg-Salter, L. Lojda, C. Ramble (eds): BÖN: Geister aus Butter – Kunst & Ritual des alten Tibet, Katalog zur Ausstellung im Museum für Völkerkunde, Wien, 1.2. bis 1.3.2013.
 
(2010) M. Alram, D. Klimburg-Salter, M. Inaba, M. Pfisterer (eds): Coins, Art and Chronology II. The First Millennium CE in the Indo-Iranian Borderlands. Österreichische Akademie der Wissenschaften, Vienna.
 
(2008) D. Klimburg-Salter, Liang Junyan, H. Tauscher, Zhou Yuan (eds): The Cultural History of Western Tibet. Recent research from the China Tibetology Research Center and the University of Vienna. (Wiener Studien zur Tibetologie und Buddismuskunde 71), Arbeitskreis für Tibetische und Buddhistische Studien China Tibetology Research Center, Vienna-Beijing.  
 
(2007) D. Klimburg-Salter, K. Tropper and C. Jahoda (eds): Word, Picture and Song in Transdisciplinary Dialogue. Proceedings of the Tenth Seminar of the International Association for Tibetan Studies, Oxford 2003, Brill, Leiden.

(2002) D. Klimburg-Salter, E. Allinger (eds): Buddhist Art and Tibetan Patronage 9th to 14th century, Brill, Leiden.

(1999) (reprint 2002) M. Alram and D. Klimburg-Salter, (eds): Coins, Art, and Chronology. Essays on the pre-Islamic History of the Indo-Iranian Borderlands, Österreichische Akademie der Wissenschaften, Vienna.

(1998) D. Klimburg-Salter, E. Allinger (eds): The Inner Asian International Style 12th-14th
Centuries. Papers presented at a panel of the 7th seminar of the International Association for Tibetan Studies, Graz 1995. Edited by Ernst Steinkellner. 7 vols, Vol. VII. Österreichische Akademie der Wissenschaften, Vienna.

(1992) D. Klimburg-Salter, O. Nalesini & G. Talamo, Abbreviated Inventory of the Tucci Himalayan Photographic Archive 1928-35, Rome.

Articles (since 2005)

(2020) “Entangled Narrative Biographies of the Colossal Sculptures of Bāmiyān: Heroes of the Mythic History of the Conversion to Islam” in: Masanori Nagaoka (ed.): The Future of the Bamiyan Buddha Statues. Paris/Kabul/Cham: 215-237.
 
(2020) “The Materiality of the Colossal Buddhas of Bamiyan across Three Millennia” in: Archaeologies of the Written: Indian, Tibetan, and Buddhist Stories in Honour of Cristina Scherrer-Schaub. Eltschinger, V. and V.F.A. Tournier, and M. Sernesi (eds). „Series Minor” of the Università degli Studi di Napoli “L’Orientale“. Naples: 373-416.

(2019) “Buddhist Pilgrimage to India: Bamiyan, Kapisa–Kabul, Mes Anyak” in: Inner and Central Asian Art and Archaeology Vol.1.  Brepols, Turnhout: 185-224.
 
(2018a) “Contextualizing Mes Aynak” in: Afghanistan, vol. 1(2). Edinburgh University Press, 213-238.

(2018b) “Ephemere Kunst in der Bön-Tradition” in: Festschrift für Wolfgang Georg Fischer zum 85. Geburtstag. Jörg Garms (Hg.). Vienna: 71-79.
 
(2016) “Preface: Nako Village – an Introduction”, in: Nako: Research and Conservation in the Western Himalayas. Gabriela Krist (ed.) Boehlau Verlag, Wien, Koeln, Weimar: 12-14.

(2015a [2016]) “Along the Pilgrimage Routes between Uḍḍiyāṇa and Tibet: The Gilgit mss. covers and the Tibetan decorated book cover,” in: E. Forte, L. Junyan, D. Klimburg-Salter, Z. Yuan, H. Tauscher (eds) Tibet in Dialogue with its Neighbours. History, Culture and Art of Central and Western Tibet, 8th to 15th century, Arbeitskreis für Tibetische und Buddhistische Studien China Tibetology Research Center, Vienna-Beijing: 392-406.
 
(2015b) together with L. Lojda and M. Strinu, “The Tibetan Himalayan Style: The Central Asian Connection,” in: U. Meinert (ed.) Transfer of Buddhism across Central Asian Networks (8th to 13th Centuries). Brill, Leiden: 119-146
 
(2015c) “The Tibetan Himalayan Style: The Art of the Western Domains 8th-11th,”  in: P. McAllister, H. Krasser, and C. Scherrer-Schaub (eds.) Cultural Flows across the Western Himalaya, Conference proceedings Shimla, Himachal Pradesh, India, 2009, Vienna, 2015 Verlag der Österreichischen Akademie der Wissenschaften: 427-475.
 
(2014) “When Tibet was unknown: The Tucci Tibetan Expeditions (1926-48) and the Tucci Painting Collection,” in: Orientations, Volume 45, Number 1, January/February 2014, 42-53.
 
(2013a) “Ephemere Kunst in der Bön Tradition,” in: D. Klimburg-Salter, L. Lojda, C. Ramble (eds), BÖN: Geister aus Butter – Kunst & Ritual des alten Tibet, Katalog zur Ausstellung im Museum für Völkerkunde, Wien, 1.2. bis 1.3.2013.
 
(2011a) (together with Cheryl Benard) “Before Tomorrow - Excavating the Past, Building the Future in Afghanistan,” in: Orientations, Volume 42, Number 6, September/October 2011, 105-107.

(2011b) (together with Erika Forte) Symposium Report "The Art and Cultural History of Central and Western Tibet, 8th to 15th century" and the Workshop "Cultural Heritage Preservation From 5th to 9th of April 2011,“ in: Orientations June 2011, 88-89.

(2011c) “The Tucci Thangka Collection: a trans-disciplinary research perspective,” in: M. Laurenzi Tabasso, M. Polichetti, C. Seccaroni (eds), Visibilia Invisibilium. Non-invasive analyses on Tibetan paintings from the Tucci expeditions (Orientalis IV), n.p. (Orientalis, in collab. with Böhlau) 2011, 13-16, 270-277 (pls.).

(2010a) “A Case Study in Cultural Mobility: The Crowned Buddha of the Kabul Shah,” in: M. Alram, D. Klimburg-Salter, M. Inaba, M. Pfisterer (eds), Coins, Art and Chronology II. The First Millenium CE in the Indo-Iranian Borderlands. Vienna, 389-406.
 
(2010b) “Corridors of Communication across Afghanistan,” in: A. Marigo (ed.), Paysage naturel et culturel du centre de l'Afghanistan: Hindou-Kouch, Lacs de Band-e Amir, Vallée de Bamiyan Afghanistan. Centre d'Etudes et de Recherches Documentaires sur l'Afghanistan., Paris, 173-192.
 
(2008a) “Buddhist Painting in the Hindu Kush c. VIIth to Xth centuries: Reflections of the coexistence of pre-Islamic and Islamic artistic cultures during the early centuries of the Islamic era.,” in É. de la Vaissière (éd.), Islamisation de l'Asie centrale. Processus locaux d'acculturation du VIIe au XIe siècle. Cahiers de Studia Iranica, 39. Paris, 131-159.
 
(2008b) “Imagining the world of Ye shes ‘od. 10th century painting in Tabo,” in: D. KlimburgSalter, Liang Junyan, H. Tauscher, Zhou Yuan (eds), The Cultural History of Western Tibet. Recent research from the China Tibetology Research Center and the University of Vienna. (Wiener Studien zur Tibetologie und Buddhismuskunde 71), Arbeitskreis für Tibetische und Buddhistische Studien China Tibetology Research Center. Vienna-Beijing, 231-286.
 
(2007a) “Tradition and innovation in Indo-Tibetan painting. Four preaching scenes from the life of the Buddha, Tabo mid 11th century,” in: B. Kellner, H. Krasser, H. Lasic, M.T. Much, H. Tauscher (eds), Pramāṇakīrtiḥ. Papers dedicated to Ernst Steinkellner on the occasion of his 70th birthday. Part 1. (Wiener Studien zur Tibetologie und Buddhismuskunde 70.1), Vienna, 423– 467.
 
(2007b) “Kha che lugs. The Influence of Kashmiri Art on the Art of Western Tibet,” in: R. N. Prats (ed.), The Pandita and the Siddha. Tibetan Studies in honour of E. Gene Smith. (commemorative volume), Dharamsala, 138-152.
 
(2007c) “Reflections on the Contribution of Art History to Transdisciplinary Research in Vienna: the Example of the Nako Sacred Compound,” in: D. Klimburg-Salter, K. Tropper and C. Jahoda (eds), Word, Picture and Song. A Transdisciplinary Dialogue, Proceedings of the Tenth Seminar of the International Association for Tibetan Studies, Oxford 2003, Leiden, 5-26.
 
(2006) “Twice Buried, Twice Found: Treasures of the Kabul Museum – an interview with Director Omara Khan Masoudi,” in: Orientations 36/8, 86-92.
 
(2005) “Mahākāśyapa in the art of Bāmiyān,” in: C. Jarrige and V. Lefèvre (eds), Proceedings of the 16th International Conference of the European Association of South Asian Archeologists, Paris 2-6 July 2001, Vol. II, 535-549.

(2004a) “Lama, Yidam, Protectors,” in: Orientations 35/3, 48-53.
 
(2003a) “The Nako Preservation Project,” in: Orientations 34/5, 39-45
 
(2003b) “Bamiyan: An Obituary and a Glance towards the Future,” in: Oriental Art 44/1, 212.
 
(2002a) “Reflections on a year at the Wissenschaftskolleg Berlin,” in: Wissenschaftskolleg Jahrbuch 2000/2001, Berlin.
 
(2002b) “Sacred Biography and the Visual Text,” in: Wissenschaftskolleg Jahrbuch 2000/2001, Berlin, 285-286.
 
(2002c) “Ribba the Story of an Early Buddhist Temple in Kinnaur,” in: D.E. Klimburg-Salter und E. Allinger (eds), Buddhist Art and Tibetan Painting, Leiden, 1-28.

(2002d) „The Meaning and Function of Bāmiyān in the 7th – 8th Centuries,” in: K. Warikoo (ed.), Bāmiyān: Challenge to World Heritage, New Delhi, 33-39.
 
 (2002e) “The contemplative scholar: Report and Findings on the Survey of Contemplative Practice Fellowship Recipients".
 
(2001a) “Tucci Archive Report 4: Dung dkar/Phyi dbang, West-Tibet and the Influence of Tangut Buddhist Art,” in: East and West 51,nos. 3-4, 323–48.
 
(2001b) “Tibetan Iconography and the Tucci Collections in Rome,” in: Nachrichten aus dem Wissenschaftskolleg zu Berlin, 2-3.  
 
(2001c) Bamiyan, Culture under Attack, in: Orientations, 73-74.   

(1999/2000) “The Buddhist art of Gujarat: on Tāranātha’s Old Western Indian Style,” in: K. Tanabe, E. Errington and O. Bopearachchi (eds), Silk Road Art and Archaeology 6 (Papers in Honour of Francine Tissot), Paris, 253-67.

 



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