Theses

Dissertations (completed)

Wu Hong, A Reconsideration of Japanese Buddhist Statues of the Asuka Period (538-710 CE) (University of Vienna, completed 2020)

Ouyang Biqing: Artisans and Production in Chinese Bronze Mirrors: The Wu Kingdom as a Case Study (SOAS, completed 2017)

Sara Peterson: Roses, Poppies, and Narcissi: Plant Iconography from Tillya-tepe and Connected Cultures Across the Ancient World (SOAS, completed 2017)

Ilse Timperman: Early Niche Graves in the Turfan Basin and Inner Eurasia (SOAS, completed 2016)

Lin Chun-I: Tomb Figurines in the Xian Area From the Fourth to the Eighth Century (SOAS, supervision until summer 2016)

Chien Li-Kuei: The Siwei Bodhisattva: the Contemplating Image in Popular Buddhism of Sixth Century China (SOAS, completed 2010)

Dissertations (in progress) 

Sing-Yan Choy, The renaissance of glassmaking in the High Qing (1684-1799) and the legacy of Jesuit Missionaries.

Denise Gubitosi, Reaktionen auf europäisches Bildmaterial in der visuellen Kultur Chinas.

Alexandra Nachescu, Funerary couches in fifth century tombs from Datong.

Wang Manlu, Celestial Chariot Images from the Han Dynasty to the Early Period of the Tang Dynasty.

Wang Aizhuo, Untersuchungen zu den Steinfiguren vor dem Grab des Huo Qubing.

Wu Hong, A Reconsideration of Japanese Buddhist Statues of the Asuka Period (538-710 CE). (abgeschlossen 2020)

Ouyang Biqing, Artisans and production in Chinese bronze mirrors：The Wu Kingdom as a case study. (SOAS, University of London, abgeschlossen 2017)

Sara Peterson: Roses, Poppies, and Narcissi: Plant Iconography from Tillya-tepe and connected cultures across the Ancient World. (SOAS, University of London, abgeschlossen 2017)

Ilse Timperman: Early Niche Graves in the Turfan Basin and Inner Eurasia. (SOAS, University of London, abgeschlossen 2016)

MA thesis (completed)

Iveta Duchacova, Das gemalte Geheimnis: Wandbespannungen im Großen chinesischen Salon des Veltrusy Schlosses. (2024)

Rastagar Munir, Zum Ursprung der Frontaldarstellungen auf dem Zaumzeug des Pferds Nr. 10 aus Kurgan 1 in Pazyryk. (2024)

Nina Simone Sieder, Auf der Suche nach chinoiser Mode - Liturgische Gewänder, Kleidung und Bühnenkostüme des 18. Jahrhunderts. (2023)

Mai Angela Kunz, Zwei Wächterfiguren aus dem Museum für angewandte Kunst in Wien. (2022)

Denise Gubitosi, Warum sich die Dreifüße drehen - Die Bilder des 西清古鑑 Xi qing gu jian am Beispiel der 鼎 ding. (2021)

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