Publications

Ph.D. Thesis

———. “Art and Organization in the 21st Century: Contemporary Art’s Strategic-Organizational Complex.” Ph.D. Dissertation, University of Cologne/Vrije Universiteit Amsterdam, 2024.

 

 

Book Chapters

———. “Business Infrastructures: Art and Trade Networks in Kate Rich’s Feral Trade (2003–ongoing).” In Infrastructures of Producing, Transporting and Logistics in Transnational Perspective, edited by Burcu Dogramaci and Ursula Ströbele. Berlin: De Gruyter, 2025. (In preparation)

———. “Multispecies Assemblies and Organizations in Contemporary Art.” In Dissident Practices: Posthumanist Approaches to Political Economy, edited by Carmen Lael Hines and Lisa Moravec. Posthumanism in Practice 3. London/New York: Bloomsbury, 2025. (Forthcoming 2025)

———. “Noch-nicht-Orte: Styrohaus und Ortsspezifik im Anthropozän.” In Styrohaus, edited by Felix Dreesen and Stephan Thierbach, Taucha: Verlag Marian Arnd, 2023.

 

 

Journal Articles (peer-reviewed)

———. “Labyrinth and Rhizome: On the Work of Walid Raad.” Stedelijk Studies Journal, no. 7 (Fall 2018): 1–14.

 

 

Journal Articles

———. “Forums: Representation and Collaboration in the Work of Forensic Architecture and Lawrence Abu Hamdan.” Tijdschrift Kunstlicht 41, no. 1 (2020): 66–74.

———. “Ruins and the Void in Post-War Beirut: Spaces of Contestation and Imagination.” kritische berichte 46, no. 3 (2018): 39–46.

 

 

Articles (Selection)

———. “Von Beuys lernen? Ökologie und künstlerische Nachhaltigkeit.” Voices – Staatliche Kunstsammlungen Dresden, September 17, 2021.

———. “Versammlung und Commoning: Formen und Formate des Trainierens für die Zukunft.” springerin 26, no. 2 (Spring 2020): 40–45.

———. “Witnessing and Community-Making in Bouchra Khalili’s Essay Films.” Art Papers 43, no. 2 (Fall 2019): 13–17.

———. “Decolonizing the Ethnographic Museum: Contemporary Art and the Weltmuseum Wien.” Art Papers 42, no. 1 (Spring 2018): 13–18.

 

 

Book Reviews

———. “Shintaro Miyazaki, Digitalität tanzen: Über Commoning & Computing.” springerin 29, no. 4 (Winter 2023): 74.

———. “Kuba Szreder, The ABC of the Projectariat: Living and Working in a Precarious Art World.” springerin 28, no. 3 (Fall 2022): 75.

———. “Matthew Fuller and Eyal Weizman, Investigative Aesthetics: Conflicts and Commons in the Politics of Truth.” springerin 27, no. 4 (Winter 2021): 71.

———. “Sebastian Mühl, Utopien der Gegenwartskunst: Geschichte und Kritik des utopischen Denkens in der Kunst nach 1989.” springerin 26, no. 4 (Winter 2020): 73.

———. “Tom Holert, Knowledge Beside Itself: Contemporary Art’s Epistemic Politics.” Third Text, October 12, 2020.

———. “Jonas Staal, Propaganda Art in the 21st Century.” Third Text, January 16, 2020.

———. “Nora Sternfeld: Das radikaldemokratische Museum.” springerin 26, no. 3 (Summer 2019): 73.

 

 

Art Criticism (Selection)

———. “Concept Car Park: ‚the collection. curated by krist gruijthuijsen‘ in der FAHRBEREITSCHAFT Berlin” Texte zur Kunst, November 17, 2023.

———. “Illiberal Lives, Ludwig Forum Aachen.” springerin 29, no. 3 (Fall 2023): 58–59.

———. “In the Mothership: Yto Barrada at the Stedelijk Museum, Amsterdam.” Texte zur Kunst, April 28, 2023.

———. “Gruppendynamik – Kollektive der Moderne, Lenbachhaus München.” springerin 28, no. 2 (Summer 2022): 60–61.

———. “Renée Green: Inevitable Distances, KW Institute for Contemporary Art and daadgalerie Berlin.” Art Papers, February 9, 2022.

———. “Hate Speech, Halle für Kunst und Medien Graz.” springerin 26, no. 2 (Spring 2019): 63–64.

———. “Anna Boghiguian, Museum der Moderne Salzburg.” Art Papers 42, no. 3 (Fall 2018): 60–61.

———. “Martha Rosler & Hito Steyerl: War Games, Kunstmuseum Basel | Gegenwart.” springerin 25, no. 3 (Summer 2018): 56–57.

———. “Tidalectics, TBA21 Vienna.” Art Papers 41, no. 4 (Winter 2017): 61.

———. “Francis Alÿs: Le temps du sommeil, Vienna Secession.” Art Papers 41, no. 2 (Summer 2017): 55–56.

———. “Anne Imhof: Angst, Kunsthalle Basel and Hamburger Bahnhof Berlin.” Art Papers 40, no. 6 (December 2016): 62.

 

 

 

 

 

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